American emo-hardcore band from Goleta, California on Ebullition record label
Tracklist
| A1 | Binary Lung | |
| A2 | Distance | |
| A3 | Song A | |
| B1 | Complete | |
| B2 | Humanity |
American emo-hardcore band from Goleta, California on Ebullition record label
Tracklist
| A1 | Binary Lung | |
| A2 | Distance | |
| A3 | Song A | |
| B1 | Complete | |
| B2 | Humanity |
American hardcore / emo band from St. Paul, Minnesota active from 1994 to 1996.
Tracklist
| 1 | AP Hardcore | |
| 2 | I'm So Down | |
| 3 | Trump | |
| 4 | Free Kid | |
| 5 | Won't Respond To Numbers | |
| 6 | Absolution Is Coming | |
| 7 | Surrender Summary | |
| 8 | Ragnarok Ain't No Holiday | |
| 9 | Extreme Garage | |
| 10 | Candy Bars Are Easy | |
| 11 | 💘 | |
| 12 | Havana Youth Club |
Power pop and glam rock
Tracklist
| 1 | Anton Barbeau– | Yum Yum Bubblegum |
| 2 | St. Nick*– | Roxy Roller |
| 3 | Outrageous Cherry– | Last Rock Star |
| 4 | Douglas T. Stewart And ...*– | Baby Loves Lovin' |
| 5 | Yuji Oniki– | Ono Box |
| 6 | Big Ray– | Heavy Metal Boy |
| 7 | The Roswells (2)– | Monsters From The Id |
| 8 | Starstruck (2)– | Bea |
| 9 | The Mitch Easter Sound!*– | Gimme Gimme Good Lovin' |
| 10 | Paranoid Lovesick– | Teen Town |
| 11 | The Shame Idols– | Skating Rink |
| 12 | The Beatifics– | Rock And Roll Part 3 |
| 13 | Transvestimentals– | Cosmic Planet Rock |
| 14 | Marshmellows*– | Trip In The Lift |
| 15 | Jeremy*– | Get Off Your High Horse |
| 16 | Chrys&themums*– | Alt.Sex.Trouserpress |
| 17 | July Fourth Toilet– | Twinkle Bell |
| 18 | The Wrong Numbers (2)– | I Wanna Be Your Boyfriend |
Scottish garage rock
Tracklist
| 1 | Grounded | 2:33 | |
| 2 | Happening In The Back Of My Mind | 2:59 | |
| 3 | Agony Aunt | 3:29 | |
| 4 | You're So Loose | 2:12 | |
| 5 | Shake It! | 2:26 |
Sounds Like a Silver Holler Review
by Nitsuh Abebe
Sounds Like a Silver Holler adopts the same dichotomy of sound that made Black Tambourine and early Velocity Girl so great -- over a sludgy fuzz of indie rock guitars come lovely, drawn-out melodies in a hazy female voice reminiscent of Tiger Trap. Some of Starlight Conspiracy's instrumental work is a bit standard and rock-oriented, which keeps the band from approaching dream pop or shoegazer greatness, but a decent sense of dynamic arrangements and the always-gorgeous vocals help a great deal. Sounds Like a Silver Holler will never live up to similar noise-pop records (with Black Tambourine being almost definitive on the American end), but it's a solid effort nonetheless.
Tracklist
| 1 | She Waits | 3:01 | |
| 2 | Don't Leave The Stage | 2:35 | |
| 3 | Silver Holler | 2:49 | |
| 4 | Just Heavier Words | 4:39 | |
| 5 | Switching Lines | 1:26 | |
| 6 | Airlock | 2:47 | |
| 7 | Anomaly | 3:22 | |
| 8 | Calgon | 4:31 | |
| 9 | Anchored | 3:48 | |
| 10 | Earth Prime | 3:21 |
by request
by Stanton Swihart
British band Pitchshifter started out in the late-'80s industrial underground as aggressive social confronters harking back to the early days of British punk and American hardcore (à la the Minutemen and Dead Kennedys). Pitchshifter signed to Earache in 1992, and their first couple releases -- the mini-album Submit (1992) and the full-length Desensitized (1993) -- firmly entrenched them in the industrial underground and brought their music to the attention of American listeners. Pitchshifter's shows used live programming and slides, and further spread their music in the States, though their confrontational attitude almost ensured a lack of commercial airplay. Released in 1996, Infotainment saw Pitchshifter starting to outgrow their industrial roots and explore computer technology in an effort to bring their brand of aggressive social and political awareness to a more mainstream audience. The album is filled with exciting aggression and high-speed techno breaks that were unusual in commercial music. In addition, the band included free samples at the end of the CD, and encouraged listeners to "steal" them for their own use. Pitchshifter toured relentlessly and successfully for the next couple years, playing with the likes of Korn, Tool, Ministry, and even Girls Against Boys, bringing them to the attention of American major label DGC, which signed them in 1997. During this period the band also took a musical leap as evidenced by its 1998 release www.pitchshifter.com, the group's first on DGC. Filled with an enlightening combination of hard, punky breakbeats veering toward a unique sort of sweaty drum'n'bass, the album is built both on samples and live playing. During the 2000s, recording was sporadic. Early on, the band released Deviant (MCA, 2000) and PSI (Sanctuary, 2002). They reconvened in 2009 to make a new album.
Tracklist
1. Triad (Pitch Shifter Remix)
2. Diable (Therapy? Remix)
3. NCM (Pitch Shifter Remix)
4. Triad (Gunshot Remix)
5. Diable (Pitch Shifter Remix)
6. Triad (Biohazard Remix)
7. To Die Is Gain (Pitch Shifter Remix)
by Brendan Swift
Ratcat became the first Australian alternative, guitar-driven band to crack the big time locally during the early '90s.
Beginning with singer/guitarist Simon Day and bassist Victor Levi's garage band Danger Mouse, Ratcat's following in Sydney grew thanks to several live performances among the skate-punk scene. In December 1987, the band released their eponymous debut mini-LP on the Waterfront label. Their debut full-length album, The Nightmare, followed in 1989 and led to a deal with the rooArt label. They contributed the single "You Get Me By" to the label's various-artists compilation Youngblood II.
But it was The Tingles EP, released in November 1990, that gave the band their biggest success. It raced to number one on the Australian national charts, as did the catchy single "Don't Go Now." The album, Blind Love, released in July 1991, also went to number one nationally. The band then opened for INXS' X tour as well as performed their own concerts.
In September 1991, Ratcat toured the U.K., Europe, and the U.S., supporting such acts as Ride, Iggy Pop, Teenage Fanclub, Violent Femmes, and the Wonder Stuff. Ratcat released their next album, Insideout, in 1992, which featured a duet between Day and Falling Joys' Suzie Higgie.
After two more EPs, Rain and The Smiler, were released in 1993, the Easy Rider album was finally completed and released in 1997.
Tracklist
| 1 | Never Really There | 3:51 | |
| 2 | Candyman | 2:46 | |
| 3 | Good Buy | 3:04 | |
| 4 | Love No More | 3:45 | |
| 5 | Chasing | 5:22 | |
| 6 | Holiday | 3:24 | |
| 7 | Sick Of Being Down | 3:49 | |
| 8 | The World | 3:58 | |
| 9 | Crazy | 2:30 | |
| 10 | Dead | 4:20 | |
| 11 | Puppet | 3:50 |
Treble Charger is a Canadian rock band formed in 1992 in
Sault Ste. Marie, Ontario, consisting of vocalist and guitarist Greig
Nori, vocalist and guitarist Bill Priddle, bassist Rosie Martin and
drummer Richard Mulligan.
Tracklist
1. Friend of Mine
2. How She Died
3. Stupid Thing To Say
4. Kareen
5. Red
6. Fade
7. Ever She Flows
8. Forever Knowing
9. Mercury Smile
10. Christ Is On The Lawn
11. Scatterbrain
12. Takes Me Down
13. Left Feeling Odd
The Veldt is an alternative guitar group from Raleigh, North Carolina,
USA. The group became well known for using a lot of reverb/delay
effects.
The Veldt played many shows across the US in the late 1990s opening
for the likes of The Cocteau Twins, The Pixies, Lush, and The Jesus and
Mary Chain.
In their heyday, the band never surpassed the level of cult status.
Tracklist
1. Intro (I'll Say Anything)
2. It's Over
3. Soul In A Jar
4. You Take The World
5. Revolutionary Sister
6. Interlude (Station ID)
7. Juicy Sandwich
8. Heather
9. Until You're Forever
10. Interlude (V.E.L.D.T.)
11. Wanna Be Where You Are
12. Daisy Chain
13. Dusty Blood
14. Last Call
15. I Couldn't Care Less
16. Outro (Shaved)
17. Soul In A Jar (The Drugstore Mix)
18. Soul In A Jar (Guitar Mix)
Compilation on the Fearless Records label
Tracklist
| 1 | Chuck (23)– | Punk Rock In Your Face | 1:47 |
| 2 | Glue Gun– | The Scene Is Not For Sale | 1:41 |
| 3 | Strung Out– | Jacqueline | 2:30 |
| 4 | 30footFALL– | Punk Rocks In Yer Head | 2:19 |
| 5 | Straight Faced– | Convictions | 1:51 |
| 6 | Blount– | Discouragement | 2:10 |
| 7 | Drunk In Public– | Everyday | 1:36 |
| 8 | Bigwig– | 1-800-Whipped | 3:09 |
| 9 | White Kaps– | Dork | 2:30 |
| 10 | Dead Lazlo's PL.*– | Waiting For Armo | 2:16 |
| 11 | Grabbers*– | Better Life | 3:12 |
| 12 | Strung Out– | Season Of The Witch | 2:50 |
| 13 | Glue Gun– | Life Sentence | 1:32 |
| 14 | Chuck (23)– | Armistice Day | 2:46 |
| 15 | Straight Faced– | Regret | 2:15 |
| 16 | Blount– | Time Spent | 2:02 |
| 17 | White Kaps– | Disco Ball | 1:53 |
| 18 | Bigwig– | Old Lady | 2:58 |
| 19 | Drunk In Public– | Dreaming | 2:03 |
| 20 | Grabbers*– | Thanks | 2:44 |
| 21 | Straight Faced– | Standing On The Edge | 3:00 |
| 22 | Dead Lazlo's PL.*– | PB & J | 2:00 |
| 23 | White Kaps– | Date Rape | 1:57 |
| 24 | 30footFALL– | Dancing With Myself | 5:10 |
| 25 | 30footFALL– | Untitled | 4:38 |
Compilation on C/Z record label
Tracklist
| (Food) | |||
| A1 | Treepeople– | Boiled Bird | 3:44 |
| A2 | Dirt Fishermen– | Soy Cheese | 2:52 |
| (Physics) | |||
| B1 | Gnome (2)– | Crush | 3:38 |
| B2 | Alcohol Funnycar– | Push | 3:33 |
American hardcore/crossover band from Philadelphia, Pennsylvania.
Tracklist
| 1 | Nightmares | |
| 2 | Razors | |
| 3 | God Machine | |
| 4 | Forever | |
| 5 | Built-In Pain | |
| 6 | With Your Belief | |
| 7 | Hit The Wall | |
| 8 | Here And Now | |
| 9 | Wrong Time | |
| 10 | Suicide City | |
| 11 | New Rose |
Jersey punk rock
Tracklist
| 1 | High Hopes | |
| 2 | Throwin You Out | |
| 3 | Have It Your Way | |
| 4 | Privacy | |
| 5 | Second Thoughts | |
| 6 | Talk About Me | |
| 7 | The Question Song | |
| 8 | Set Me Free | |
| 9 | Stand Tall | |
| 10 | All Night Diner | |
| 11 | My Desire | |
| 12 | One Less Friend | |
| 13 | Slammin At The Disco | |
| 14 | Love Me Not | |
| 15 | Silent But Deadly (Instrumental) |
by request
Velvet Monkeys Biography
by Kathleen C. Fennessy
Guitarist/producer Don Fleming and drummer Jay Spiegel formed the pop culture tribute band Velvet Monkeys in Washington, D.C., in the early '80s. Both were veterans of Jad Fair's long-running noise pop outfit Half Japanese, with whom they would continue to record throughout the 1980s (Fleming was also in the Stroke Band in the late '70s with Bruce Joyner of the Unknowns). Other members of their garage rock combo included Malcolm Riviera on guitar and keyboards, Elaine Barnes on keyboards and vocals, Charles Steck on bass, and numerous others (the lineup was fluid, to say the least). The group's first recorded appearance was on the 1981 compilation Connected (Limp Records). That same year, they released their first full-length, cassette-only Everything Is Right on their own Monkey Business label. It was followed by the similar-sounding garage-o-rama Future in 1983. In 1986, they split a cassette release, the avant-pop Big Big Sun, with old pals Half Japanese. The group then took a break, with Fleming and Spiegel moving to New York to join fellow musician/producer Kramer's pop-deconstruction unit B.A.L.L. During the sojourn, they issued a compilation of early material with Rotting Corpse Au-Go-Go (1989). Upon B.A.L.L.'s reportedly acrimonious demise, they re-formed Velvet Monkeys with guest musicians Thurston Moore, J Mascis, and Pussy Galore's Julia Cafritz for 1990's concept album -- and swan song -- Rake, a take-off on the exploitation soundtracks of the 1970s (like Curtis Mayfield's Superfly). Fleming and Spiegel returned the favor by subsequently playing on and/or producing recordings by Sonic Youth, Dinosaur Jr., and Free Kitten. Velvet Monkeys also appeared on a number of compilations during the 1980s, including The Other, Sub Pop 9, Train to Disaster, Let's Sea, and Deadly Spawn. In addition, they released a single on Sub Pop (with the Beatles' "Why Don't We Do It in the Road" on the flip) and a double-single of early '80s demos (Better Living) on Moore's Ecstatic Peace label. In 1990, Fleming, Spiegel, and Riviera morphed, as it were, into a new group: Gumball. Two years later, Rake's "They Call It Rock" was included on the soundtrack to Alison Anders' Gas Food Lodging (along with tracks by J Mascis and others). Six years later, House Party, which was recorded for -- but never released by -- SST in 1985 with Workdogs' Rob Kennedy and Scott Jarvis (two other Half Japanese vets), was released by God Bless. The highlight was a ten-minute version of the Stooges' minimalist dirge "Little Doll." Although they had been gone from the scene for five years by that point, Velvet Monkeys hadn't been completely forgotten, even if Fleming and Spiegel have since become better-known for the other bands with which they've been associated.
Tracklist
1. We Call It Rock
2. She's Not A Girl
3. The Ballad of "Rake"
4. Something's In The Air
5. Velvet Monkey Theme Song
6. Rock The Night
7. Harmonica Hell House
8. Love To Give
9. 7 Angels
10. Rock Party
11. Velvet Monkey Theme (Assassin Mix)
by Alexey Eremenko
Blue Hearts are Japan's most successful punk band, although admittedly they mixed Ramones, Clash, and social commentary with country and early rock & roll influences. The group, which ranked number 19 on the HMV list of top Japanese bands in the 2000s, was established in 1985 in Tokyo by vocalist Komoto Hiroto, guitarist Mashima Masatoshi, bassist Kawaguchi Junnosuke, and drummer Kajiwara Tetsuya, and soon garnered a reputation as a solid live act. They waited for two years before releasing anything, but in 1987 provided a slew of recorded material, all out on Meldac: the debut single "Hito Ni Yasashiku"; their self-titled debut full-length; another single, "Linda Linda," which had become their most famous song; and their second album, Young and Pretty. Already underground darlings, Blue Hearts became a nationwide sensation with their third offering, Train Train (1988), thanks to the media buzz generated by attempted label censorship. The album was to feature the anti-nuclear power song "Chernobyl," which didn't go down well with Mitsubishi, a sponsor of their label, Meldac. Mitsubishi was involved with the nuclear industry and therefore demanded that Blue Hearts either drop the song or get dropped from Meldac. The band opted for the latter, but, for once, label pressure worked in favor of the artist: after the scandal hit the news, they were picked by East West Japan, and Train Train went on to sell over a million units, which became a standard for the band's subsequent albums.
In 1990-1991 Blue Hearts tried to make their way to the American scene, touring the U.S. twice and releasing two CDs there, but sales remained small despite good reviews, college radio airplay, and USA Today coverage. Meanwhile, in Japan, where they released the albums Bust Waist Hip (1990) and High Kicks (1991), their fame was growing ever bigger, not hindered even by a yearlong TV ban imposed on Blue Hearts by the stations because of the bandmembers' provocative behavior. The 1993 releases Stick Out and Dug Out both topped the charts and outdid their respective predecessors in sales, but in 1994 the band broke up -- or, rather, transformed into High-Lows, another punk rock unit that this time sported mildly surrealistic lyrics and had Komoto and Mashima on board (in 2005, they formed their third punk act, Cro-Magnons). The label released one more post-breakup album, Pan, in 1995, and the popularity of Blue Hearts endured in the 2000s, when their songs were used in a number of video games and the dramas Socrates in Love and Gachi Baka (both 2004), and "Linda Linda" lent its title to the movie Linda Linda Linda (2005), about a high-school girl rock band playing Blue Hearts covers.
Tracklist
| 1 | The Future Is In Our Hands | 2:29 | |
| 2 | When The Bombs Fall | 2:09 | |
| 3 | An Endless Song | 3:06 | |
| 4 | A Boy's Song | 2:43 | |
| 5 | Chernobyl | 3:10 | |
| 6 | Blue Sky | 4:49 | |
| 7 | Train - Train | 3:51 | |
| 8 | Paper Balloon Bomb | 2:58 | |
| 9 | The Thunderbolt | 2:49 | |
| 10 | Kick The Blues | 4:47 | |
| 11 | Love Letter | 3:30 | |
| 12 | The Blue Hearts Theme | 2:09 |
Energy Orchard Biography
by AllMusic
This pop rock sextet came from Belfast, Northern Ireland and were built around the nucleus of singer Bap Kennedy (b. Martin Kennedy, 17 June 1962, Belfast, Northern Ireland) and guitarist Paul Toner. Snapped up by MCA in 1990 their first single was titled after their home-town, ironically after relocating to London. It dented the UK Top 70, paving the way for follow-ups ‘Sailortown’ and ‘Lace Virginia’. After running the gauntlet of comparisons to U2 that face most rock bands from Ireland, the reaction of the mainstream UK press hardened. Bombast and over-production somewhat neutered their debut album and the band’s subsequent releases ploughed a similar path. They disbanded in 1996, their final release being a credible live album. Kennedy later embarked on an acclaimed solo career, debuting with the Steve Earle -produced Domestic Blues in 1999.
Tracklist
1. Belfast
2. Somebody's Brother
3. Lion
4. One, Two Brown Eyes
5. King of Love
6. Sailortown
7. Walk In Love
8. This House Must Fall
9. Sweet Irish Rose
10. Hard Street
11. Good Day To Die
12. Belfast - Instrumental
by Andy Kellman
Using the phrase "post-punk throwbacks" is rather misguided when referring to Fraff, since some of the band's members actually participated in the early scene. Vocalist Tom Fawcett was in the Native Hipsters, the short-lived Rough Trade band responsible for one of the finest (albeit very bizarre) post-punk singles, "There Goes Concorde Again." Too Pure honcho Paul Cox played guitar and harmonica, Karl Hussey (ex-Mint 400) hit the drums, Steve Cox (brother of Paul) played keyboards, Ged Murphy played guitar, and Ian (ex-Furline) played bass. Likened to Captain Beefheart, XTC, Television, and '60s garage bands, Fraff debuted on a split single with Cotton Mather. The 1998 EP It's a Long Time to Come Just to Turn Around and Go Back Again was their first major release, followed shortly after with You've Got a Lot of Friends in This Town, which compiled the previous release and a number of cuts from singles. 2000's Resist the Call to Rock followed quickly on its heels. All of the band's major releases were issued by Rainbow Quartz.
Tracklist
| 1 | You Won't Believe It Til Somebody Smacks You In The Mouth | |
| 2 | Man With 3 Mouths | |
| 3 | Shower Me | |
| 4 | California | |
| 5 | Freedon Defiend | |
| 6 | Protect Yourself | |
| 7 | Smack The Plebnation Mix By S & P |
Alt rock - I think these guys are from Georgia, U.S.A.
Tracklist
| 1 | Ain't Life Grand | 3:00 | |
| 2 | Everybody Loves Me | 3:33 | |
| 3 | One Track Mind | ||
| 2:48 | |||
| 4 | Tetsuo | 2:39 | |
| 5 | Goat Sucker Fever | 4:13 | |
| 6 | Thirteen | 3:46 | |
| 7 | Gone Bad | 3:42 | |
| 8 | Jiffy Lube | 3:21 | |
| 9 | Pussy Crazy | 3:29 | |
| 10 | Rat Fink | 1:43 | |
| 11 | Good Good Lovin | 2:51 | |
| 12 | World Tour | 3:27 | |
| 13 | Rocket Ship | 4:04 |
UK indie rock band formed in 1991
Tracklist
| 1 | The Screever | 3:55 | |
| 2 | Sea Of Anger | 4:34 | |
| 3 | House Of Cards | 3:34 | |
| 4 | Whalesong | 3:02 |
American power pop/indie rock band from Austin, Texas.
Tracklist
| 1 | Nadine | 2:58 | |
| 2 | Green Velvet Neckbrace | 4:17 | |
| 3 | Dirty Room Lament | 2:15 | |
| 4 | Selfish Phase | 2:14 | |
| 5 | Snowflake | 3:13 | |
| 6 | Stalking The Girl (With Wintergreen Stockings) | 4:06 | |
| 7 | Acetaminophen | 3:08 | |
| 8 | All | 3:04 | |
| 9 | Surrogate Saviour | 4:29 | |
| 10 | Laika | 3:35 | |
| 11 | Smashplate | 2:24 | |
| 12 | Radiate | 2:45 | |
| 13 | Mr. Kent, You're Out Of Gas | 6:34 |
Indie rock from the UK (?)
Tracklist
| 1 | Blue Suburban Skies | 3:21 | |
| 2 | Knocks And Blows | 2:47 | |
| 3 | Power Of Love | 2:23 |
by Jason Ankeny
Mod-inspired power pop combo Jane Pow emerged from Southampton, England in 1988, teaming singer/guitarist Richard Starke, his guitarist brother Andrew, guitarist Vincent Kallett, bassist Rupert Hann, keyboardist Peter Dale and drummer Greg MacDermott. Chiefly inspired by the likes of the Jam, the group nevertheless honed their own unique sound, embellishing their buoyant guitar-pop melodies with electronic flourishes and undercutting the bubbly cynicism of Richard's clever lyrics with moments of acoustic sincerity and sensitivity. After debuting on the tiny Ambition label with the single "Good Morning," in 1989 Jane Pow signed to the Target imprint to issue the full-length effort Love It, Be It. "Warm Room" appeared on the fledgling American indie Slumberland in 1991; in 1993, the label packaged Love It, Be It with its follow-up State on a single LP. By that time, however, Jane Pow had dissolved in the wake of the 1992 single "Sanitize." Richard Starke later resurfaced under the electronic alias Firing Bullets.
Tracklist
| 1 | Sanitized | 3:52 | |
| 2 | It's On It's Way | 2:30 | |
| 3 | Walker | 4:17 | |
| 4 | Get By | 2:28 | |
| 5 | Soundbarrier | 6:34 | |
| 6 | Shutdown | 2:25 | |
| 7 | 90's | 4:38 | |
| 8 | Love It Be It | 5:54 | |
| 9 | Track 9 | 2:19 | |
| 10 | Playpower | 1:33 | |
| 11 | Morningside | 2:57 | |
| 12 | Out Of It | 2:20 | |
| 13 | On Hold | 2:55 | |
| 14 | Through | 3:21 | |
| 15 | Latitude | 3:49 | |
| 16 | Take | 3:05 | |
| 17 | Jackboot | 3:32 | |
| 18 | Sophia Green | 3:41 | |
| 19 | Warm Room | 4:28 | |
| 20 | Fruity | 2:12 |