The Pooh Sticks Biography
by Jason Ankeny
The Pooh Sticks were rock's most inside
joke, a monumental yet affectionate prank on the very mythology of pop
music itself. Cloaked behind ridiculously overblown marketing schemes,
made-up histories, and cartoon-character images, the Welsh group
punctured the industry's myriad excesses, freely pilfering from the
entirety of pop's past by shoplifting titles, lyrics, and melodies at
will; wrapping their barbs in cotton-candy singalongs, their subversions
worked on many levels -- postmodern cultural criticism, retro-irony,
slavish imitation, and power pop manna among them -- to forge an
identity as high concept as it was lowbrow.
The Pooh Sticks were
ostensibly led by frontman Hue Pooh (born Hue Williams), who in October
1987 teamed with Swansea-area schoolmates Paul, (guitar), Alison (bass),
Trudi Tangerine
(keyboards), and Stephanie (drums) -- no last names, please -- and
debuted with the single "On Tape," a witty jab at indie rock fan boy
mentality released on manager/svengali Steve Gregory's
Fierce label. (In actuality, Gregory was the real mastermind behind the
Pooh Sticks, writing, arranging, and producing their records, designing
their cover artwork, and even choreographing their live performances.) Alan McGee
-- an ironically lavish box set comprised entirely of one-sided singles
including the famed "I Know Someone Who Knows Someone Who Knows Alan
McGee Quite Well," a nod to the Creation Records chief -- followed in
1988.
The Pooh Sticks EP, a streamlined collection of the box set material, appeared later in 1988, trailed by Orgasm,
a set "recorded live...in Trudi Tangerine's basement" including the
wonderful "Indie Pop Ain't Noise Pollution." The 1989 mock-bootleg
Trademark of Quality was next, compiling live material from a pair of
recent club dates including a cover of the Vaselines'
"Dying for It" as well as an early rendition of the group's
semi-original "Young People." In 1990, they even finally recorded a
proper studio LP, Formula One Generation.
In 1991, the Pooh Sticks added Talulah Gosh and Heavenly vocalist Amelia Fletcher to their ranks; the resulting LP, The Great White Wonder, was their masterpiece, a collection of ace pop songs built entirely around other people's ideas, from the Neil Young "Powderfinger" guitar solo at the heart of "The Rhythm of Love" to the liberal use of Stephen Stills' "Love the one you're with" credo right down to the record's title, borrowed from a legendary Bob Dylan bootleg. 1993's sublime Million Seller took the same path; 1995's Optimistic Fool was the Pooh Sticks' swan song.