| 1 | Criminal Zero | 3:45 |
| 2 | The Hammer | 3:36 |
| 3 | Buried Alive | 4:03 |
| 4 | Asshole | 3:42 |
| 5 | Gangland | 3:28 |
| 6 | Autosuck | 2:05 |
| 7 | Karaoke Nite In Attica | 3:00 |
| 8 | Do It To You | 2:13 |
| 9 | Hard Knox | 2:53 |
| 10 | Prisoners | 3:31 |
| 11 | Next Big Thrill | 3:08 |
| 12 | Views | 3:16 |
| 13 | New Flag | 3:07 |
| 14 | Shit For Brains | 3:01 |
| 1 | Isolation | 4:42 |
| 2 | Da Da Da | 3:32 |
| 3 | Telephone | 3:15 |
| 4 | It's So Hard | 4:43 |
| 5 | Sundried | 6:55 |
| 6 | You're On Your Own | 5:28 |
| 7 | Lou Gehrig | 4:54 |
| 8 | Walking And Talking | 2:46 |
| 9 | Tiny | 3:24 |
| 10 | Carry On | 6:57 |
Juliana Hatfield is one of the great survivors of the alternative rock era, a singer/songwriter who built a diverse, adventurous discography through steady, consistent work. She began her career in the late 1980s as the lead singer of Blake Babies, a college-rock trio from Boston who counted Pixies, Throwing Muses, and Lemonheads among their peers. Hatfield went solo in 1992, releasing her debut Hey Babe just as alternative rock became a commercial force. She soon had her moment in the spotlight, appearing on the covers of Sassy and Spin, landing in MTV's Buzz Bin, cameoing on My So-Called Life and The Adventures of Pete & Pete, while popping up on the soundtrack to Ben Stiller's Gen-X romantic comedy Reality Bites with "Spin the Bottle." The latter was a grungy pop tune cut with the Juliana Hatfield Three, whose 1993 LP Become What You Are was her first record released on a major label. The 1995 solo set Only Everything, which produced the minor chart hit "Universal Heartbeat," was her last album for a major. Over the next three decades, Hatfield maintained her indie roots, releasing a series of adventurous, emotionally candid albums on a variety of imprints. Although she often recorded solo, she also collaborated with a variety of bands. She reunited both Blake Babies and the Juliana Hatfield Three, teamed with ex-Blake Baby Freda Love for Some Girls in 2003, formed Minor Alps with Nada Surf's Matthew Caws in 2013, and coaxed Paul Westerberg into the I Don't Cares in 2016. As she matured, Hatfield's work grew pointedly political, a shift showcased on 2017's Pussycat and 2021's Blood.
| Supermodel | 2:52 |
| My Sister | 3:22 |
| This Is The Sound | 3:01 |
| For The Birds | 4:14 |
| Mabel | 4:09 |
| A Dame With A Rod | 2:55 |
| Addicted | 3:16 |
| Feelin' Massachusetts | 4:11 |
| Spin The Bottle | 2:23 |
| President Garfield | 4:38 |
| Little Pieces | 3:05 |
| I Got No Idols | 2:16 |
With 23 songs documenting the entire 1992-1994 recording history of N.Y.'s 1.6 Band, the aptly titled posthumous discography Broke Up is a nice package that documents an underrated hardcore force. Featuring everything from the group's initial demos to their final sessions, the group is a powerhouse of early hardcore styles reminiscent of much of the Revelation Records releases from around the same period. Singer Kevin Egen has a monstrous voice, and his style rarely shifts from straight screaming, but his vocal presence drives the music to some intense levels. The guitar lines drip with distorted metal riffs, giving an extra edge to the already brutal attack of 1.6, but the playing is actually pretty impressive in itself and makes the group sound like more than just an average hardcore act. There's even a bit of straight guitar shredding on a few tracks, which, though seemingly unnecessary, actually succeeds in adding some variety to the usual approach of constant screaming and shorter than usual track times. Broke Up is probably for hardcore enthusiasts only, but, for what it is, it is near the top of the field. The songs are consistent, the music is well recorded and energized, and there are some moments that are noticeably more creative than most of the band's peers. 1.6 Band isn't the first group mentioned when '90s hardcore comes up, but, after a few listens to this disc, it may seem like they deserve a little more credit than they've received.
| 1 | Pushing Shit Back Into My Ass | |
| 2 | Bullet To The Brain | |
| 3 | Back In Church | |
| 4 | Lollipops | |
| 5 | These Giants | |
| 6 | Threads | |
| 7 | Cancer In My Backyard | |
| 8 | Keeping My From Killing You | |
| 9 | Plastic Bags | |
| 10 | Squelched | |
| 11 | Throwing Rocks | |
| 12 | One Eye Open | |
| 13 | Adult Hitler | |
| 14 | Trying | |
| 15 | Sticks To The Skin | |
| 16 | Let Me Breath | |
| 17 | Beef Stew | |
| 18 | Your Restaurant | |
| 19 | Stomach Pains | |
| 20 | Wipe | |
| 21 | Unfriendly | |
| 22 | Substitute | |
| 23 | Up For Sale |
| 1 | On Warmer Music | 3:11 |
| 2 | All My Kin | 4:10 |
| 3 | It's Alright, You're O.K. | 4:06 |
| 4 | The Mutable Mercury | 3:43 |
| 5 | The Town Crusher | 2:45 |
| 6 | The Unthinkable Is True | 3:40 |
| 7 | River High | 4:01 |
| 8 | Every Is A Good Trip | 1:42 |
| 9 | Do Go On | 5:22 |
| 10 | Privileged & Impotent | 2:55 |
| 11 | Oh Dear Friends | 4:00 |
| 12 | An Amateur Thief | 1:46 |
| 13 | In Our Time | 2:21 |
| 14 | Morley Timmons | 3:12 |
| 15 | The O.T.S. | 3:39 |
| 16 | Rip Off The Gift | 1:56 |
| 17 | The Last Good Time | 4:15 |
| 1 | Wild On The Run | |
| 2 | Chain Of Love | |
| 3 | Crawling Back | |
| 4 | Sister Of Mercy | |
| 5 | Stay With Me | |
| 6 | Somewhere She Waits | |
| 7 | World Inside You | |
| 8 | Restless One | |
| 9 | Never Enough | |
| 10 | Close Your Eyes |
| 1 | Copsucker | |
| 2 | Louisiana | |
| 3 | Heather | |
| 4 | Idaho | |
| 5 | Colin's Heroes | |
| 6 | Smell | |
| 7 | Shrine | |
| 8 | Candyguts | |
| 9 | Dose | |
| 10 | Montana | |
| 11 | Pennsylvania |
| 1 | Don't Let Me Hide | 4:37 |
| 2 | Luther's Windows | 3:56 |
| 3 | Thinking In Ways | 4:52 |
| 4 | Which One Of You | 4:23 |
| 5 | Little Hell | 3:19 |
| 6 | 34 Winters | 4:56 |
| 7 | Middle Of The Busied Road | 4:50 |
| 8 | Cellarbird And Zither | 0:48 |
| 9 | Running Up That Hill | 4:27 |
| 10 | Love All | 3:09 |
| 11 | Silly Little Man | 4:18 |
| 12 | The Second Coming Of Chris | 4:36 |
| 13 | A Little Faith | 2:22 |
