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By request
by Mike DaRonco
The experimental three-piece of Pinebender originated in the Chicago suburbs in late 1997. With their minimal instrumentation that consists of Matt Clark (low guitars), Chris Hansen (guitar/vocals), and Stephen Howard (drums), a slow-paced but melodic tone of experimental indie resulted as the three-piece played around Chicago for the next two years. Following a deal with Ohio Gold Records in 1999, Pinebender's first full-length, Things Are About to Get Weird, resulted the following year with some production help from Steve Albini. The EP Too Good to Be True followed in 2000 before the band switched over to Lovitt for 2003's The High Price of Living Too Long with a Single Dream. Clark exited Pinebender in summer 2002, prior to that album's release, and the band didn't release any new material for several years. Hansen stayed put as Howard moved from drums to baritone guitar and Dennis Stacer joined on behind the kit; the new lineup then issued Working Nine to Wolf in the fall of 2006.
by Jason Anderson
Kicking things off with the Coltrane-tinged "In Defense of Phallic Power Totems II," Bazooka set the high-toned stage for Perfectly Square: the group's 1993 debut for SST records. Comprising of saxophonist Tony Atherton, bassist Bill Crawford, and drummer Vince Meghrouni, Bazooka blast out a kind of groove jazz with Crawford's solid-body bass providing a rolling bottom end that gives the trio's tunes a heaviness that's unique and affective. Besides the aforementioned leadoff track, other standouts include the sparse "Crimes Against the Elders" and "Walt's Fault," as well as the quite natural cover of Edgar Winters' "Frankenstein." When the group wanders into more traditional rhythmic treatments -- as in "Speedball" -- Crawford and Meghrouni don't blend quite as well, and their struggle overpowers Atherton and the tune. Bazooka is at their best when the swinging is a secondarily punctuation to Crawford's fusion and prog syncopations, creating interesting figures and plenty of space for the teetering Atherton to wander about, exploring his group's unique sonic edges.
1 | Kicked To The Curb | 1:57 |
2 | -30 Degrees | 2:46 |
3 | Cracker Network | 1:57 |
4 | Willa Cather Proud | 2:20 |
5 | Jackson | 2:39 |
6 | Noodle (Psalm Of The Reckless) | 2:14 |
7 | Second Communion | 2:31 |
8 | Clock In | 1:46 |
9 | Apple Jack | 1:11 |
10 | True Love | 2:19 |
11 | Spit | 2:15 |
A1 | Untitled | 1:56 |
A2 | Swimming Hole | 2:40 |
B1 | Another Song About Failure | 2:17 |
| Monster Is Bigger Than The Man | 5:55 | |
| Communion | 6:38 | |
| Suicide Kings | 5:21 | |
| I'm Not Alone (Live) | 5:43 | |
| It's About Time (Live) | 5:36 |
by Michael Sutton
Predicting the future is never a guarantee of success. The Atlanta, GA, band Mary My Hope appeared a little too early, carving layers of post-punk and hard rock a few years before the Smashing Pumpkins would turn similar ingredients into multi-platinum sales. Founded by James Hall (vocalist) in the mid-'80s with guitarist Clinton Steele, bassist Sven Pipien, and drummer Steve Lindenbaum, Mary My Hope were minor-league players in the college-radio world, several ranks below all-stars like … » Read more
1 | Elixir | |
2 | Spy Vs. Spy | |
3 | Rumble | |
4 | Memory Machine | |
5 | Presumed Dead | |
6 | Bullet Theorry | |
7 | Jealousy And Interferebce | |
8 | Amplifactor | |
9 | Love And Rage | |
10 | May God Have Special Mercy On All The Fallen Angels From Hell | |
11 | Sunset Square | |
12 | Proximity Bomb | |
13 | The Waiting Game | |
14 | Run If You Can | |
15 | Zombie |
1 | Sample Stars | 1:29 | |
2 | Resin Box | 6:01 | |
3 | Peacock Coal | 4:55 | |
4 | I Think You're The Weird One | 2:18 | |
5 | Everwilling | 4:50 | |
6 | Pipeline To Vertigo | 4:17 | |
7 | Ultra Drowning | 2:04 | |
8 | Salt Doubt | 5:04 | |
9 | The Dance Alone | 5:10 | |
10 | Lunar Intuition | 2:04 |
EXC-018
One new drummer and four (plus some secret stuff) new songs later and Hutch come back with yet another little noticed yet critically acclaimed offering. William S. Baker from Jayhawker/Slowsidedown even provides some guest vocals on "Honduras", the unlisted secret track at the end of the CD.
They put on a great live show too, but most of you missed it.
"This is just incredible. I'll tag this as the next Jawbreaker. Wow, I'm speechless. Every track has its own distinct personality. I'd list my favorite tracks, but it would include almost all of them. A keeper. Do whatever it takes to get this!" -Rational Enquirer
"One thing that used to appeal to me about a lot of pop punk and melodic hardcore bands was the sincerity of emotions that they conveyed. As those genres became marketable, it seemed like bands started making up emotions for the sake of appearing "real". For a time I thought there might not have been any legitimately talented and intelligent melodic punk bands left who remained independent. I guess I forgot about Hutch. Musically, they hold their own against the likes of Jawbreaker and Rocket From The Crypt, and the lyrics don't seem contrived in the least, just honest and insightful. Thanks for being you, Hutch" -PFN Snipehunt
1 | Hey Swifty | |
2 | Ford Madox Ford | |
3 | Eleven : Eleven | |
4 | (We All Love) Peanut Butter | |
5 | Laughing At The Ghosts | |
6 | Mr. Superlove | |
7 | Thank You For The Roses | |
8 | Ride Ramona | |
9 | Fingers Fall | |
10 | Bible House |
1 | Lousy Mechanic | |
2 | Richard Lipp | |
3 | Fat & Strong | |
4 | Morton's | |
5 | Aneforeffort | |
6 | The Hedgehog | |
7 | Slow As The Sloping Wind | |
8 | Infidel | |
9 | Wendy Your Signs Are Falling | |
10 | Scrubbing | |
11 | The Rings Of Uranus | |
12 | Ephedrine | |
13 | Dante's Glass Ankle | |
14 | Wander | |
15 | Snug | |
16 | Little Yellow Book |
by Stewart Mason
Although Dillon Fence released three full-length albums and several stand-alone EPs between 1991 and 1994, and at one point was the highest profile group on Mammoth Records after Juliana Hatfield and the Blake Babies, the band never got much in the way of critical acclaim, nor did their records spark much word of mouth outside of a small cult audience based in their native North Carolina. That said, there's a low-key charm to their brand of genial jangle pop that fans of the Connells or Guadalcanal Diary will most likely find appealing.1 | Chemical Fire | 3:42 |
2 | Complimentary Buckskin Holster | 2:23 |
3 | Saigon Kitchen | 3:37 |
4 | Double Boiler | 5:56 |
5 | Spree | 2:46 |
6 | Feeding Frenzy | 9:38 |
7 | Continuous Groove | 6:31 |
8 | Time Enough | 7:02 |
1 | Inertia N° 3 | 4:08 |
2 | Ray Slater's Meteoric Rise | 3:16 |
3 | Sugar Candy | 3:02 |
4 | Union | 5:21 |
5 | All In This | 3:14 |
6 | Claymore | 3:53 |
7 | Fifth Night | 5:19 |
8 | Crash Outfit | 2:13 |
9 | Technicolor Wonderland | 4:56 |
1 | Brutal Flower | |
2 | A Hard God To Swallow | |
3 | Getting Over | |
4 | The Crawl | |
5 | Everything That Isn't | |
6 | This One Is Empty | |
7 | Big Sleep | |
8 | The Art Of Vacuuming | |
9 | Learning To Swim | |
10 | Kill The Hollow | |
11 | Gun Metal Gray |
1 | Head Lice | |
2 | Nothing | |
3 | They'll Love You For It | |
4 | Diet Tray | |
5 | Rebong | |
6 | Charlie | |
7 | Mosquito Beach | |
8 | Dog's Prayer Day | |
9 | Hard Stool | |
10 | Good Friday | |
11 | Feelings | |
12 | Sack Lunch | |
13 | Sacred Heart | |
14 | Tiny Shoes | |
15 | Mudhoney | |
16 | Chemical Patty | |
17 | Black Tuesday | |
18 | Glad Handling |
1 | House Of Mirrors | 3:50 |
2 | Book Of Love | 3:23 |
3 | Typical World | 4:27 |
4 | Blow Me Up | 4:36 |
5 | 500 Miles | 3:35 |
6 | Kimberly Stews | 3:42 |
7 | Three Girls From Detroit | 4:09 |
8 | Doubts | 5:30 |
9 | It's Gonna Be Alright | 3:17 |
10 | Like Laughing | 4:58 |
1 | | Pollen, U.S.A. | 4:54 | |
2 | | No Song | 1:19 | |
3 | | Sunday Man | 3:38 | |
4 | | Gleason Rocket | 2:39 | |
5 | | Orange Red, Bright Blue | 3:12 | |
6 | | Untitled | 0:55 | |
7 | | Old Number 7 | 2:56 | |
8 | | Poinsettia | 3:55 | |
9 | | Tractor Driver | 2:31 | |
10 | | Auto-Haze | 2:57 | |
11 | | 12X | 3:06 | |
12 | | Do The Sputnic | 3:15 | |
13 | | Canary | 7:30 |
1 | | Majic UFO | 8:48 | |
2 | | Brown City | 2:27 | |
3 | | Prophecy Of Wade | 3:44 | |
4 | | Nature Channel | 14:01 |