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Artist Biography
by Jason Ankeny
The work of Eric Matthews
was a direct reaction to the lo-fi recording practices so prevalent
throughout the alternative music scene of the 1990s; while many of the
decade's artists trafficked in a defiantly ragged, do-it-yourself
aesthetic, Matthews'
records grew out of orchestral theories and practices, and revelled in
the stately elegance of warm harmonies and lush arrangements. A native
of Gresham, OR, Matthews was born in 1969 and fell in love with the symphonic pop of the Beach Boys, Burt Bacharach, and the Bee Gees at an early age; John Williams'
score for Star Wars steered him into orchestral music, and he picked up
his first instrument, the trumpet, while in elementary school.
After attending a San Francisco conservatory to hone
his craft, he moved to the Boston area to further pursue his
songwriting and performing. There he met Sebadoh's Lou Barlow and Bob Fay, and under the name Belt Buckle, they teamed for a four-song EP in 1993. Through Fay, Matthews also struck up a friendship with Richard Davies, an Australian-born singer/songwriter best known for fronting the cult band the Moles. Together they formed the duo Cardinal, a forum for Davies' wry songwriting and Matthews'
arranging skills and instrumental talents (which now included a mastery
of piano, organ, harpsichord, and marimba), and released a stunning
self-titled debut in 1994. Internal difficulties resulted in Cardinal's brief lifespan, however, and Matthews soon resurfaced as a solo artist. In 1995, he issued his debut, It's Heavy in Here, an ornate, complex collection highlighting his emerging vocal and composing skills. The excellent Lateness of the Hour followed in 1997. It was his final album for some time, however. He finally returned in 2005 with a mini-LP titled Six Kinds of Passion Looking for an Exit and a full-length, Foundation Sounds, late the following year. The Imagination Stage followed in early 2008.
Tracklist
1 | Fanfare | 2:53 |
2 | Forging Plastic Pain | 3:14 |
3 | Soul Nation Select Them | 3:21 |
4 | Faith To Clay | 2:21 |
5 | Angels For Crime | 3:01 |
6 | Fried Out Broken Girl | 3:27 |
7 | Lust Takes Time | 2:40 |
8 | Hop And Tickle | 2:56 |
9 | Three-Cornered Room | 3:06 |
10 | Distant Mother Reality | 2:18 |
11 | Flight And Lion | 3:38 |
12 | Poisons Will Pass Me | 2:36 |
13 | Sincere Sensation | 2:54 |
14 | Fanfare (Reprise) | 2:18 |
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