by request
AllMusic Review by Ned Raggett
The one full effort Minxus
gave to the world may not have been deathless per se, but there's
enough going on here that anyone interested in some of the more obscure
twists and turns of '90s indie rock should give Pabulum a listen. It doesn't hurt that She Rocola remains one of the more underrated frontwomen of the time; as lyrically sharp as PJ Harvey but less prone to roots rock worship and as able as Laetitia Sadier to sound deceptively sweet, she delivers on both singing and bass playing quite well. Gavin Pearce's guitar kicks out some fine frazzle and stinging, sudden parts (check out the Fall-inspired lope that starts "The Falcon Contract"), but it's the Rocola/Joe Whitney
rhythm section that really defines the songs -- brisk, energetic, able
to twist and stop on a dime, all while generally avoiding 4/4 beats
whenever possible. There aren't any calm moments per se, but at times
the band knowingly cuts back to increase the impact, as at the start of
"I Know You Want to Stop," where Pearce's
guitar seems to suggest a quiet number before a sudden shuddering
series of beats and notes heralds choppy, tight arrangements. Pearce himself sings on the track as elsewhere; he's good enough in a rough way, but not as striking in the end as Rocola.
Her singing is as prone to consciously work against what melody is in a
song as it is to work with it (or on the title track, creating it on
her own), but she never loses the spirit of the song's flow, whether
it's the careening kick of "Silk Purse," the simmering contempt against
misogynism on "Vultura," or the amazing vision of feminine adolescence
and its pitfalls in "Liberty Bodice(a)."
Tracklist
1 | Minxus | |
2 | Silk Purse | |
3 | I Know You Want To Stop | |
4 | Pabulum | |
5 | The Falcon Contract | |
6 | Vultura | |
7 | Wonderful Pair | |
8 | Cet | |
9 | I Live On Sand | |
10 | Monkey Theme | |
11 | Liberty Bodice (A) | |
12 | Fecund Girls | |
13 | Sunshine | |
14 | X Y Zoom | |
15 | Ever Since Forever |
2 comments:
re-up please
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