GUILT Bardstown Ugly Box 1995

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[+] by Ryan Downey

Guilt's impact and overall relevance went largely unrecognized during their six-year tenure as an intense and emotive über-indie-noise-metal-hardcore band. Their songs combined the best elements of several genres without sounding contrived, and managed to evoke soulful emotion and raise thought-provoking questions within the confines of a musical style typically confined to mundane "evil" topics and horror imagery. Guilt evolved from the band Stepdown, which formed in 1991 with former Endpoint drummer Lee Fetzer and Endpoint bassist Kyle Noltemeyer on guitar, Christian McCoy on bass, powerhouse drummer Jon Smith, and Endpoint guitarist Duncan Barlow on vocals. Stepdown were fiercely political and rabidly confrontational, going head to head with the Nazi faction of the Louisville scene on more than one occasion. As Barlow's own personal battle with depression set in, however, the group's focus shifted and soon the name was changed. Fetzer left the group and Barlow picked up second guitar in addition to vocal duties. The Empty 7" was recorded at Mom's Studio and released by Initial, a small record label then based in Michigan. After a handful of shows, the band dissolved for almost a year, eventually re-forming and recording several new songs at DSL Studios that would later become the Synethesia 10"/CD EP on Initial. The record was heavy and intense, with darkly poetic lyrics and song titles named after colors picked to represent various moods. McCoy was replaced by Telephone Man's Ashli State before the band signed a deal with Chicago's Victory Records label. Guilt entered the studio with producer/Shellac member Bob Weston, who helped the band hone their sound by enhancing the drums, bringing down the metal element in the guitars, and eliciting top-notch, emotional performances. The end result was Bardstown Ugly Box, the band's masterwork, so named for a street in their native Louisville, KY. It was years ahead of its time in the hardcore/punk scene, fusing elements of noise, melody, heavy metal, punk rock, indie rock, and poetic storytelling seamlessly, with intensity yet class and style. Shortly after the album's release and subsequent touring with labelmates Earth Crisis, Noltemeyer left the group, with State soon behind him, the latter moving to Philadelphia and joining the ranks of "vampire" obsessed punk rockers Ink and Dagger. Barlow and Smith, together with Noltemeyer as a guest, recorded the Further EP, an odd collection of untitled songs that borrowed a bit from the heavy percussion and meditative drone of Neurosis and avant-garde, atmospheric and experimental music in general, though it still retained the band's trademark heaviness. In 1996, the band played one more show with By the Grace of God/Elliott guitarist Jay Palumbo on bass. Guilt reformed a year later, with State and Noltemeyer returning, to record two final songs and release them as a 7" single (a split release between Barlow's fledgling Nerd Rock and the now Louisville-based Initial) and play a final show on Halloween of 1997. In 1999, Nerd Rock compiled a collection of previously released Guilt compositions and rare recordings with a Stepdown demo (and more), releasing it as A Comprehensive Guide to Anger Composed in Drop D. A Stepdown reunion show in Louisville celebrated the collection's release, with the original lineup taking the stage.

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Tracklist

	Chapter One - Man Versus Society
1	Gamma	5:06
2	Omega	4:49
3	Chi	4:48
	Chapter Two - Man Versus Himself
4	XI	3:52
5	Omnicron	3:55
	Chapter Three - Man Versus Human Nature
6	Theta	2:21
7	Phi	24:58