by request
biography
Ward Dotson once said that he left the band the Gun Club because
he got tired of playing for people in black leather who never smiled
and he responded by forming the considerably lighter hearted hard rock
outfit the Pontiac Brothers. Given this logic, it probably made sense
that after the Pontiac Brothers called it a day in 1989, Dotson found
himself moving away from the good-natured crunch of the Pontiacs and
started indulging his fondness for '60s-style pop and the result was a
witty and tuneful new project called the Liquor Giants. The group
released their first album in 1992, You're Always Welcome (which was
released in some overseas markets as America's #1 Recording Artists),
but from the start it was obvious that this was a "group" in only the
broadest sense. Dotson, who handled guitar and lead vocals and wrote the
lion's share of the material, was the only musician who played on every
cut of the album, with a round-robin crew of various L.A. cronies
pitching in on bass, drum, and keys (among them former Pontiacs drummer
Dave Valdez on bass; drummers Dan Earhart and Bill McGarvey, and
keyboard man Dan McGough dominated the supporting cast). The material
played down the hard rock stomp of Dotson's work with the Pontiac
Brothers in favor of hooky but enjoyably unpolished pop/rock tunes that
made no secret of their roots in the sounds of '60s AM radio. You're
Always Welcome was released by short-lived indie label Lucky Records,
and the second Liquor Giants full-length, Here, was released in 1994 by
ESD; this time around, Dotson was joined by guitarist Steve Dima and
bassist Joel Katz, with Bill McGarvey returning as drummer. While this
might have suggested Dotson was settling on a stable lineup for the
band, that assumption was tossed out the window in 1996 with the group's
first album for Matador, simply called Liquor Giants, in which Dotson
played everything except for drums (another former Pontiac Brother, Matt
Simon, was this album's timekeeper), a few keyboard parts, and female
backing vocals. The album found Dotson refining and broadening his pop
influences, dipping his toes back into hard rock while still embracing
the tunefulness of British Invasion pop and melding snarky humor with a
heartfelt but realistic romanticism. Dotson once again was most of the
"band" for 1998's Every Other Day at a Time; coming clean with his
influences, Dotson tacked on a few obscure '60s and '70s pop covers as
unlisted bonus tracks, which subsequently appeared on a separate
all-covers album released the same year, Something Special for the Kids.
Unfortunately, Every Other Day at a Time proved to be The Liquor
Giants' last album for Matador, and their next album, Up With People,
was recorded for an Australian label, Elastic Records, owing to Dotson's
significant cult following down under.
read moreTracklist
1 | It's Raining Butterflies | |
2 | Beautiful Flo | |
3 | What's The New Mofo | |
4 | Dearest Darling | |
5 | Kentucky Lounge | |
6 | I'll Never Mind | |
7 | Medicine Ball Game | |
8 | Multicoloured Hipshake | |
9 | Meaningless | |
10 | It Only Hurts When I Smile | |
11 | Riverdale High | |
12 | Caroline | |
13 | I Know I'm Wrong | |
14 | Summer School |
5 comments:
http://www35.zippyshare.com/v/85914182/file.html
You are AWESOME!! Thanks you so much!
Any chance of a reup? I recently had a hard drive crash, and I'm trying to piece my collection back together.
http://www27.zippyshare.com/v/27564417/file.html
Again, thanks so much!
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