by request
AllMusic Review by Michael Sutton
Nine Ways to Sunday
enter the '90s with an undying affection for the preceding decade. The
band's self-titled debut from 1990 is almost like an essay on mid-'80s
college radio sounds: crooned vocals; jangling guitars; shimmering
keyboards; and hyperactive, propulsive drums. Like the Ocean Blue, Nine Ways to Sunday are an American group with an English crush. However, their sound is more stripped down than the Ocean Blue's. Nine Ways to Sunday could be seen as predecessors to Jars of Clay, at least in spirit. As with Jars of Clay, Nine Ways to Sunday
perform acoustic rock that transcends the limitations of the genre.
"Midnight Train," the opening track, has toe-tapping percussion that
quickly snags the ears. "Get Back Home" is as pretty and moody as the
British artists -- probably The The or Echo & the Bunnymen
-- who most likely inspired it. The lyrics aren't deep or weird like
many of the songs from the band's '80s new wave heroes, but they're sung
nicely. "The Means Become the End" is a dead ringer for Lloyd Cole, and the synthesizer-laden "I Survive" could easily be mistaken for a New Order rarity. Released a year before grunge kicked new wave and most English music off of alternative radio, 9 Ways to Sunday is a fond farewell to the crystal days of '80s post-punk.
Tracklist
| 1 | Midnight Train | 3:48 |
| 2 | Get Back Home | 3:10 |
| 3 | Restless | 3:40 |
| 4 | Love & Money | 3:39 |
| 5 | Come Tell Me More | 5:20 |
| 6 | Dance For Me | 4:18 |
| 7 | Only The Innocent | 3:50 |
| 8 | The Means Becomes The End | 4:13 |
| 9 | Fire & Rain | 3:36 |
| 10 | I Survive | 3:38 |
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