| 1 | Genocide | 1:11 | |
| 2 | Natural Mind | 1:29 | |
| 3 | Plastic Kill Order | 1:01 | |
| 4 | Lift For The Scarce | 2:33 | |
| 5 | Gasoline Laziness | 0:51 | |
| 6 | I R | 1:43 | |
| 7 | 15 Up To Crave | 1:16 | |
| 8 | Enslaved Walk | 1:28 | |
| 9 | After Pride All | 1:07 |
punk band formed in 1987 with Dead Kennedys influence from Wales
| A | KKK Wives On Holiday | |
| B1 | Poor Me | |
| B2 | Tick Tock |
Decent hardcore on Ebullition record label, but someone forgot to tell the singer to stay in tune.
| A1 | Fenian Bastards | |
| A2 | In The Bones | |
| A3 | Prayer | |
| A4 | Anaphylaxis | |
| B1 | Nicotine | |
| B2 | Traces | |
| B3 | Clas War Lullaby | |
| B4 | Louisiana Pacific | |
| B5 | Woodshop |
Next time the in-laws are over, play this comp.
Mix of hardcore, grindcore, punk, and noisecore. Shortest songs ever!
| 1000 m.p.h. | |||
| A1 | Final Conflict (2)– | Promise Keeper | |
| A2 | Lack Of Interest– | Frustration | |
| A3 | 324– | Modify | |
| A4 | Avulsion– | Bootleg Holywater | |
| A5 | Noothgrush– | Strawberry Shortcake And Friends Holding Hands And Going Around The Gazebo With Custard And Pupcake Watching | |
| A6 | Suppression– | Feed On Their Vomit | |
| A7 | Slight Slappers– | Anal Count | |
| A8 | Melt-Banana– | 7.2 Seconds Flipping | |
| A9 | Godstomper– | Last Request Sellout | |
| A10 | Dead Bodies Everywhere*– | Pepper Spray | |
| A11 | Gob (2)– | Clobbered With A Brick | |
| A12 | The Dread (2)– | Cock-N-Balls | |
| A13 | Burned Up Bled Dry– | Code Red | |
| A14 | Fuck On The Beach– | Fuck On The Beach | |
| A15 | Fuck On The Beach– | Happy | |
| A16 | Fuck On The Beach– | Grudge | |
| A17 | Fuck On The Beach– | Never Trust Tammy | |
| A18 | Fuck On The Beach– | Killed By Fast | |
| A19 | MK Ultra (2)– | Whalers, Jets, Nordiques | |
| A20 | Slobber– | Three Well Placed Bullets Killed Four Members Of Slobber | |
| A21 | Ruido– | Habre | |
| A22 | Benümb– | With Without | |
| A23 | Mexican Power Authority– | Victorian Punque | |
| A24 | Combat Wounded Veteran*– | 28... I'm Sweet, I'm Sexy, And I'm Oh So Chocolate | |
| A25 | Assspatula– | I Eat My Own Shit | |
| A26 | Assspatula– | Beatdown | |
| A27 | Fanatics (3)– | Hope | |
| A28 | Senseless Apocalypse– | Pretense Pt. 2 | |
| A29 | Vilently Ill– | Sacrificed | |
| A30 | Nice View– | Take Off Your Diaper | |
| A31 | Quadiliacha– | Gordon City Limits | |
| A32 | Disassociate– | Phatboy | |
| A33 | Palatka– | Let's Toss This Fucking Shit To The Fire! | |
| A34 | Flash Gordon (2)– | Bassfisher | |
| A35 | Japanese Torture Comedy Hour– | I Ran Over Your Dog While It Was Taking A Shit (Part 2) | |
| A36 | The Judas Iscariot– | Immobile Geniuses | |
| A37 | Scalp-Lock– | Profound Incessant Minimalism | |
| A38 | Enemy Soil– | The Great Debate | |
| A39 | Charles Bronson– | 412 Wolfpack | |
| A40 | Real Reggae– | Untitled | |
| A41 | Mange– | Ferrigno's Revenge | |
| A42 | Egotismo– | Fuck You Very Much | |
| A43 | Disney Violence– | The Spazz Triptych | |
| A44a | Tomsk 7*– | South Of Heaven | |
| A44b | Marc Tamo– | (Outro) | |
| 2000 m.p.h. | |||
| B45 | Excruciating Terror– | Down But Not Out | |
| B46 | Brother Inferior– | Moment Of Silence | |
| B47 | Black Army Jacket– | Pugilistic Attitude | |
| B48 | Swiss Army Blanket– | Go Human Not Ape | |
| B49 | Bad Acid Trip– | Ego | |
| B50 | Bad Acid Trip– | Spazz Attack | |
| B51 | Beast (3)– | Philip Morris Crematorium | |
| B52 | Devoid Of Faith– | Hollowed Out | |
| B53 | Despise You– | Life Span | |
| B54 | Harsh (2)– | Chloric A | |
| B55 | The Misanthropists– | Cruel, Rude, Defensive Street Entertainers Will Die Of Hunger | |
| B56 | Bastard Noise– | Ode To Judi Bari | |
| B57 | Dismal Marsh Gas– | Little Prince | |
| B58 | In/Humanity– | Lady Died | |
| B59 | Rash Of Beatings– | Altar To Waste | |
| B60 | As$troland– | Th' Riddler | |
| B61 | Los Crudos– | Me Lo Paso El Culo | |
| B62 | The Locust– | Do You Dig Deep Graves | |
| B63 | Society Of Friends– | 12 Steps | |
| B64 | Agoraphobic Nosebleed– | Can You Dig? | |
| B65 | Utter Bastard– | Puke Machine | |
| B66 | Resin (5)– | Hee Haw Space Chicken Dinner | |
| B67 | Pretentious Assholes– | Legislating Hate | |
| B68 | Pretentious Assholes– | Fuck The Middle Class | |
| B69 | Little Princess (2)– | This Is Napalm | |
| B70 | Little Princess (2)– | Mystery | |
| B71 | Action Jackson (2)– | Bam Pt. 3 | |
| B72 | Action Jackson (2)– | Bam Pt. 1 | |
| B73 | Action Jackson (2)– | Bam Pt. 2 | |
| B74 | No Less– | Candygram Mongo Vs. Carl The Tooth Williams | |
| B75 | Pound– | Wifebeater | |
| B76 | Hated Principles– | Kervorkorama | |
| B77 | Your Mother– | Don't Fuck With The Ghost | |
| B78 | Gasp (2)– | Night Ranger Changed Their Name To F.Y.P. | |
| B79 | Seventh Victim– | Daughter | |
| B80 | Seventh Victim– | I'm A Big Chicken | |
| B81 | None Of Your Fucking Business– | I Live Track | |
| B82 | No Think– | Arm Animals | |
| B83 | Gyga– | The Guns Get Trained | |
| B84a | Degrade– | Women And Children Blown To Shit | |
| B84b | Walter Glaser– | (Outro) |
American powerviolence band from Redwood City, California. Started in 1992.
| A1 | Gertie | ||
| 0:55 | |||
| A2 | Enterslavement | 0:32 | |
| A3 | Uniform | ||
| 0:15 | |||
| A4 | No Thought | 0:26 | |
| A5 | Pressure | 0:24 | |
| B1 | Burnt | 0:24 | |
| B2 | Our Scene | 0:14 | |
| B3 | Force Fed | 0:39 | |
| B4 | Biter | 0:18 | |
| B5 | Precision Fastening | 1:18 |
American hardcore/punk band from Fresno, California.
Tracklist
1. Manumit
2. Daggers In My Eyes
3. 7 Lucky Devils
4. The Postman Always Shoots Twice
5. Ethnic Cleansing
6. Cenobite Stomp
7. I'm Not Like Everybody Else
8. Tick Tick Tick
9. It's Gotta Come Out
10. Your Farts Are Like Frankincense to Me
11. I Wanna Be The Anti-Christ
12. Down
| 1 | Calling Peace On Earth | 4:42 | |
| 2 | Go | 3:44 | |
| 3 | Sub India | 6:03 | |
| 4 | Move Your Body Like You Move Your Mind | 6:21 | |
| 5 | Old New Song | 4:44 | |
| 6 | Lights Unfold | 2:05 | |
| 7 | Live This Life Today | 4:52 | |
| 8 | All Souls Growing In Glory | 7:46 | |
| 9 | Sound Of The Sounds | 1:30 |
Rockabilly/Psychobilly from The Netherlands
Tracklist
1. Dynamite
2. She's Dynamite
3. Dynamite
4. Dynamite
5. T.N.T.
6. Rollin' Dynamite
7. Dynamite
8. Dynamite
The Dogs were formed in Rouen (Normandie) in 1973 around Dominique Laboubée (vocals, guitars), Paul Peschenaert (guitars), François Camuzeaux (bass), and Michel Gross (drums). At first, the band could have been filed under pub rock for its set lists comprised of many covers, from the Velvet Underground to the Flamin' Groovies. But they quickly came up with some English-sung original material, mainly inspired by their British and American peers, from the Flamin' Groovies to Dr. Feelgood. Like locals Little Bob Story, they were something way more than just a regional phenomenon, and despite an unsuccessful commercial career, the Dogs left a considerable legacy with the release of their two most famous LPs: 1979's Different and 1982's Too Much Class for the Neighbourhood. The constant support of France's veteran music magazine Rock & Folk wasn't enough to make the Dogs explode to a larger scale, but they remain a treasured cult band for many, especially since their definitive end with singer Dominique Laboubée's death in 2002, at the early age of 45.
Tracklist
1. The Price of My Sins
2. Super Friend
3. Three Is A Crowd
4. Back From Nowhere
5. Today Sounds Like Yesterday
6. Skydogs
7. Never Been In Love
8. 19 Again
9. Noise Therapy
10. The End of the Gang
11. I Wanna Be Your Dog
American noise-rock / Punk band from South Florida.
| Face Side | |||
| A1 | Buried Alive | ||
| A2 | Load | ||
| A3 | The Long One | ||
| A4 | Bugs | ||
| A5 | 1994 | ||
| A6 | Deco City | ||
| Faceless Side | |||
| B1 | Does Dead God Flesh Smell? | ||
| B2 | Gordon Sollies Daughter | ||
| B3 | Bayou | ||
| B4 | Reset |
Garage punk / rockabilly band from Reno, Nevada.
| 1 | Tranquilizers | 2:17 | |
| 2 | Triple Zero | 2:13 | |
| 3 | Swingin' On A Friday Night | 2:59 | |
| 4 | Dos Pesos | 3:08 | |
| 5 | Lonely City | 3:05 | |
| 6 | The Curse Of New Orleans | 2:26 | |
| 7 | (The Girl Who Danced) Bossa Nova | 4:13 | |
| 8 | Gone Rockin Daddy | 2:02 | |
| 9 | Dance Of Fools | 2:02 | |
| 10 | White Knuckle Ride | 3:00 | |
| 11 | Mexican Wristwatch | 3:08 | |
| 12 | 100 Mph In A Coupe De Ville | 2:20 | |
| 13 | Butchwax | 3:34 | |
| 14 | Operator Get Me Jesus On The Line | 2:56 | |
| 15 | Mothman | 1:22 |
Fantastic Australian power pop
| 1 | Shameless | |
| 2 | Yellow Oats | |
| 3 | Spadework | |
| 4 | Demon | |
| 5 | Sleep | |
| 6 | Ant's Clown |
| 1 | Something Good Must Come | |
| 2 | Slow Replay | |
| 3 | Steep Hill Climb | |
| 4 | Frame By Frame | |
| 5 | At Least You Know | |
| 6 | Paperweight | |
| 7 | A Funny Thing Happened On The Way... | |
| 8 | What's It Take | |
| 9 | Leave Quietly | |
| 10 | High Tide Lounge |
Weapon of Choice grew out of the ashes of Marshall Law, the band that gave the Red Hot Chili Peppers guitarist Arik Marshall, albeit briefly. Arik's brother Lonnie "Meganut" Marshall put together his own collective, Weapon of Choice, which plays a style dubbed "nutmeg" -- a mix of socially metaphorical lyrics, rock, reggae, funk (particularly George Clinton), hip-hop, and jazz drawing inspiration from a similar freewheeling musical hybrid pioneered by Fishbone. In fact, Marshall has played with Fishbone side projects like Trulio Disgracias. In addition to bassist/vocalist Marshall and co-founder Keefus Ciancia on keyboards, Weapon of Choice includes singer Audra Cunningham, singer Mark Cross, guitarist Finn Hammer, trombonist Tom-bone Ralls, and drummer Derek "D-Rek" Pierce. The band released its debut album, Nutmeg Sez "Bozo the Town, in 1993, and followed it with 1996's Highperspice.
| 1 | The "N" Word | 5:56 | |
| 2 | Just Cuz She Was Nice | 5:22 | |
| 3 | Dumb Machine | 2:32 | |
| 4 | Glo In Da Dark | 5:22 | |
| 5 | Count Mackulyv | 5:29 | |
| 6 | Spade | 4:03 | |
| 7 | 5:13 | 1:58 | |
| 8 | Let The Shit Hit The Fan | 5:03 | |
| 9 | Telekinesis | 1:02 | |
| 10 | Blind Side | 4:38 | |
| 11 | I Like Your Body | 3:48 | |
| 12 | Pair-A-Noids | 4:25 | |
| 13 | Leprechauns And Silly Things | 3:49 | |
| 14 | Highperspice | 7:22 | |
| 15 | Outa Sight | 6:19 |
One of many bands in the '90s to experiment with fusing the aggressive sounds of hip-hop and hardcore/heavy metal, Shootyz Groove boasts two official MCs (Sense and Season) heading a lineup that also originally featured guitarist Donny, bassist Spec, and drummer Dose. Shootyz Groove formed in the Bronx, NY, in 1992 and had a record deal within two years, signing to Mercury. A live EP recorded in Queens, Respect, was released in 1994, and was followed later that year by their official debut, Jammin' in Vicious Environments (also known as J.I.V.E.). Shootyz Groove toured with acts covering both sides of their own musical spectrum, including Boogie Down Productions and Slayer. However, things did not continue so smoothly; bassist Spec left the band, and Shootyz Groove found itself off of Mercury. Undaunted, they released a difficult-to-find live album, Live J.I.V.E., in 1995, and got a new bass player in Paul "Freak Love" and, thanks to frequent touring, a new deal with Roadrunner Records. Their Roadrunner debut, Hipnosis, was released in 1997; moving to Reprise, the group resurfaced two years later with High Definition.
| 1 | Respect | |
| 2 | In The Ocean | |
| 3 | El Sol | |
| 4 | The Joint | |
| 5 | Soulfreak | |
| 6 | Walkin' In The Fog | |
| 7 | Maxin' (Clockin' Z's) | |
| 8 | The Craze | |
| 9 | Crooked Is The Path | |
| 10 | Level | |
| 11 | Come W/Cha Best | |
| 12 | Carry On | |
| 13 | R.I.T.W. |
Potential Frenzy was Orlando, Florida based pop punk trio, active in the early to mid 1990s.
| 1 | Hate Girls Hate Boys | |
| 2 | More Than A Crush | |
| 3 | Barbie Is Ugly | |
| 4 | Vein | |
| 5 | Prettiest Girl | |
| 6 | One Day | |
| 7 | There's Nothing Wrong | |
| 8 | Eyes Said Something | |
| 9 | You're The Only One | |
| 10 | Don't Want To Talk About It | |
| 11 | You're Always Right | |
| 12 | Everything | |
| 13 | Happy | |
| 14 | Feminists Fuck Better |
Pop punk from the Netherlands
| 1 | Still In A Punk Band | 1:43 | |
| 2 | Never Die | 2:17 | |
| 3 | Warrior | 2:05 | |
| 4 | What Is It | 1:38 | |
| 5 | Expanding | 2:12 | |
| 6 | One More Time | 2:33 | |
| 7 | Leaving | 2:06 | |
| 8 | World Needs Changing | 2:11 | |
| 9 | A Reason To Understand | 1:45 | |
| 10 | Burning Desire | 2:21 | |
| 11 | Some Of Us | 1:33 | |
| 12 | Mind | 3:23 | |
| 13 | Wonder Why | 2:15 | |
| 14 | Stop For A Moment | 1:57 | |
| 15 | Just Do It | 1:35 | |
| 16 | Outside | 2:40 |
Formed in Los Angeles in 1978, the Plimsouls merged roots, retro and guitar rock with a ramshackle punk aesthetic. At a time when rock music was shifting gears, the Plimsouls' brand of soul-punk -- a modern take on '60s soul, British Invasion and garage rock sounds -- fit right in with the '80s post-punk American guitar band movement. Known for their kinetic live performances, the Plimsouls had an exceptional frontman in singer/songwriter Peter Case whose decision to pursue a solo career effectively ended their '80s run, but whose songs have kept the group's slight catalog and legacy in the public eye.
Case came to the Plimsouls with experience, having previously collaborated with Jack Lee and Paul Collins in the Nerves, a precursor-to-punk D.I.Y. group with a 1976 single, "Hangin' on the Telephone" (later recorded by Blondie). Living in L.A., Case started to play with locals Louie Ramírez (drums) and Dave Pahoa (bass) in 1979, and within the year Eddie Muñoz (of Austin's the Skunks) joined them on guitar. After recording one EP, Zero Hour in 1980, and a self-titled album in 1981 that contained the now classic power pop anthems "Zero Hour" and "Hush, Hush," the group self-financed a single, "A Million Miles Away." The jangling guitar song was picked up by influential FM station KROQ and thanks to trend-setting DJ Rodney Bingenheimer, the song became a local smash, catapulting the Plimsouls toward wider recognition. The inclusion of "A Million Miles Away" on the soundtrack to the cult film Valley Girl cemented the band's reputation as power pop icons and remains a timeless classic.
An album for Geffen, Everywhere at Once, followed in 1983 but ultimately, the liaison with the label was not a lasting one and the Plimsouls broke up shortly after its release. A testament to the band's stage power is the live document, One Night in America, released in 1988. Following the group's dissolution, Case went on to record a solo album for Geffen; he remains a critically admired and influential artist with a large folk, blues and rock repertoire. In 1995-1996, the band, sans Ramírez, re-formed and played a few reunion dates with former Blondie drummer Clem Burke and released a new studio LP Kool Trash in 1998. In 2005, Oglio Records reissued One Night in America; the original lineup (with Bryan Head on drums) remains together and continues to perform wherever and whenever there's a demand for their unique soul-punk sound.
| Tracklist 1. Playing With Jack 2. Feeling Strange 3. Down 4. Falling Awake 5. Pile Up 6. 12 O'Clock Midnight 7. Kool Trash 8. Lost 9. Dangerous Book 10. Not of This World |
