There doesn't seem to be much reason for Les
Claypool to release a solo album. As the leader and prime creative force
behind Primus,
he basically dictates the very sound of their records. The only excuse
for a solo project like Les Claypool & the Holy Mackerel's Highball
With the Devil -- or his other side project, Sausage
-- is to give the bassist the chance to play with other musicians. On
Highball With the Devil, he rounds up a number of friends and session
musicians and places them in his home studio. In other words, it's an
informal jam session. Fortunately, the musicians are uniformly
first-rate and occasionally, in the case of Joe Gore and Charlie Hunter, simply stellar. When the group concentrates on jamming, the music is fine and even more interesting than Primus'
extended workouts. When Claypool tries to make these jams into songs by
adding inane lyrics and his skittering, mannered vocals, Highball With
the Devil loses all of its momentum. And that is his main downfall --
Claypool can't help but sabotage his music with his weakness for kitsch
and art-funk, and that's why his first solo album will only be
appreciated by dedicated fans.
Tracklist
3:53 |
3 |
| Highball With The Devil |
2:32 |
12 |
| El Sobrante Fortnight |
3:38 |
13 |
| Granny's Little Yard Gnome |
3:00
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