self titled
1998
Theives and Angels
1999
Artist Biography by Ryan Downey
What do you get when you take an emocore king and
set him alongside the drummer of an avant-garde/metal group (and former
skinsman for a New York City straight-edge band) and an incredibly
gifted songsmith heavily influenced by the sounds of the United Kingdom?
You get New Rising Sons, a short-lived, dynamic, poppy four-piece rock
band whose soaring melodies, rock & roll attitude, and throbbing
rhythms owed more to the mod movement than the post-hardcore scene that
the band's members cut their teeth in. A band who took their craft
seriously, they lived by a motto they themselves penned: "All you know
and love is written in these songs." When New York City's Texas Is the
Reason imploded shortly before signing a major-label deal in 1997,
vocalist/guitarist/frontman Garrett Klahn refused to rest on his
laurels. Determined to have his creativity extend beyond Texas Is the
Reason's singular, genre-defining album and undiluted by frustrated
attempts at mainstream crossover, Klahn assembled New Rising Sons
relatively quickly. Teaming up alongside him was former Into Another
drummer Drew Thomas, who himself had recently watched his band dissolve,
and whom Klahn had been aware of since the days when Thomas drummed for
semi-legendary New York hardcore band Bold. Taking their mutual
Beatles/Brit-pop fascination to its next logical step, the pair began
writing songs with guitarist/vocalist/songwriter Kevin McGinnis and
bassist Jim Kimball. Klahn's distinctive vocal style and McGinnis' adept
songwriting doubled well, with each of them penning songs together and
apart. New Rising Sons quickly signed a deal with Virgin Records. Their
recorded debut came in the form of an eponymous indie EP through
grapeOS, followed by subsequent touring with Indiana's Chamberlain, who
as Split Lip had been great friends of Klahn's. The band continued to
work on songs, eventually resurfacing (again on grapeOS) with the
four-song Thieves and Angels. Though bassist Enzo was now a part of the
band, engineer Ted Nicely performed bass duties on the EP. New Rising
Sons continued to write and demo material for their major-label debut,
yet never truly got off of the ground due to various lineup shifts and
internal problems. The group decided to call it a day in 2000, having
been dropped by Virgin the day before.
self titled
Theives and Angels
(I know "Thieves" is spelled incorrectly but that's the way it's spelled on the CD.)
self titled
Tracklist
1 | Monday's Highs | 4:18 |
2 | All Over Over All The Skies | 2:11 |
3 | Now I Agree | 4:18 |
4 | Sharks And Comets | 3:55 |
Theives and Angels
(I know "Thieves" is spelled incorrectly but that's the way it's spelled on the CD.)
Tracklist
1 | Steady Sway | |
2 | Put It On The Wire | |
3 | Falling Out | |
4 | Bring Me Around |
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