by request
| 1 | Hard Drivin' Man | 4:55 | |
| 2 | All Bottled Up | 4:04 | |
| 3 | Cyclone Girl | 4:44 | |
| 4 | Mississippi | 4:55 | |
| 5 | Mama Said Knock You Out | 4:16 | |
| 6 | Candy | 4:32 | |
| 7 | Bong Hits | 0:51 | |
| 8 | Mob Stew | 3:14 | |
| 9 | Bubble Bath With Nicole | 2:27 | |
| 10 | One Down Clown | 3:30 | |
| 11 | That's The Way It Goes | 3:18 | |
| 12 | Dive | 2:21 | |
| 13 | You Gotta Move | 3:58 | |
| 14 | Funky Fights Parts 1&2 | 4:34 |
compilation on the Siltbreeze label
| 1 | Halo Of Flies– | Richie's Dog | 2:59 |
| 2 | Gibson Bros.*– | Brokedown Engine | 3:33 |
| 3 | Monkey 101– | French Feelings | 2:11 |
| 4 | Monkey 101– | Now That You Have Left Me | 3:13 |
| 5 | V-3– | Inside Outpost | 5:32 |
| 6 | Dead C*– | Hell Is Now Love | 3:52 |
| 7 | Dead C*– | Bone | 2:38 |
| 8 | Alastair Galbraith– | As In A Blender | 2:20 |
| 9 | Sebadoh– | Cheapshot | 1:13 |
| 10 | Sebadoh– | Delicious Cakes | 1:39 |
| 11 | Queen Meanie Puss– | Lily Heart | 2:28 |
| 12 | Mike Rep & The Quotas*– | Village Idiot | 2:54 |
| 13 | Terminals*– | Black Creek | 6:00 |
| 14 | Guided By Voices– | Melted Pat | 1:38 |
| 15 | Guided By Voices– | Dusty Bushworms | 2:29 |
| 16 | Thomas Jefferson Slave Apts.*– | Baboon's Liver | 2:48 |
| 17 | Shadow Ring*– | Tiny Creatures | 4:20 |
Early demos from this underrated shoegaze band
Shoegaze act from Boston, MA, who were active in the early '90s and broke up in 1994. Thirteen demo songs that remain unreleased, "Mayfield," can be found on the Web. They are culled from tapes.
Tracklist
1. Mayfield
2. Shannon Waves
3. Astral
4. Kissing The Sea
5. Slylight
6. Snowbird
7. Pentatonic Another Summer
8. Here Comes The Sun (The Beatles)
9. Damon
10. Song For JJ
11. Back In Our Old Bed
12. Soapland
The Columbus, OH-based indie duo the Yips were formed in 1995 by singer/guitarist Gilmore Tamny -- an alumna of Mike Rep and the Quotas, as well as the erstwhile publisher of the fanzine Wiglet -- and drummer Jon Davidson. After signing to the Siltbreeze label, the Yips soon issued their first single, "1000% Fox; " their debut LP, Bonfire in a Dixie Cup, followed in 1996. Blue Flannel Bathrobe appeared the next year.
| 1 | Cut The Shit | |
| 2 | Bonfire In A Dixie Cup | |
| 3 | Short North Song | |
| 4 | Muhammed Ali | |
| 5 | Small But Sturdy Crocus | |
| 6 | Why We Slosh So (For S. & L.) | |
| 7 | Sometimes It's Fleatime | |
| 8 | Arson | |
| 9 | 1st Place | |
| 10 | Pitbull | |
| 11 | Chapter Of Not Dying Twice | |
| 12 | Wild Jeannie Dinner Roll | |
| 13 | Late Bloomer (The Tracks) | |
| 14 | String Dangling From The Lightbulb | |
| 15 | Even That Fast Is Fast |
American hardcore / noise-rock band from Phoenix, Arizona.
| A1 | Product | |
| A2 | Balloon Boy | |
| B | Finger Pointer |
Lo-fi experimental rock
| 1 | Scrap Metal Radio | 1:39 | |
| 2 | Adam Twelve |
| 2:25 | ||
| 3 | Girl In A Room |
| 3:12 | ||
| 4 | Negotiate Nothing |
| 1:50 | ||
| 5 | Forever Low Man |
| 3:32 | ||
| 6 | Harry |
| 2:09 | ||
| 7 | Party At 15th & Summit |
| 2:38 | ||
| 8 | Super Hero Meltdown |
| 0:56 | ||
| 9 | Your Uncle |
| 2:56 | ||
| 10 | Philadelphia E.X.P. |
| 2:32 | ||
| 11 | Caution! |
| 2:58 | ||
| 12 | Arrival/Departure |
| 1:41 | ||
| 13 | My Neighborhood |
| 4:57 | ||
| 14 | Trouble |
| 4:26 | ||
| 15 | Your Girlfriend |
| 1:37 | |||
| 16 | Zapped Like A Bolt | 3:47 | |
| 17 | Pirhana's In The Bathtub |
| 3:06 | ||
| 18 | In The Hall Of Molds |
| 3:33 | ||
| 19 | Whip That Thing |
| 4:05 | ||
| 20 | Certain Foods |
| 4:45 | ||
| 21 | Son Of Sam Donaldson |
So I was going to post a Garage Sale link, however they are available on Bandcamp. So go over there and check them out.
Baltimore, MD band from the mid-90s
| 1 | Never Wanna B Like U | 2:36 | |
| 2 | Testerosa | 2:18 | |
| 3 | Queen Of Venus | 2:41 | |
| 4 | Couples Only | 2:07 | |
| 5 | Ain't So Groovy | 2:22 | |
| 6 | Change The Styles | 1:54 | |
| 7 | Brentless | 1:36 | |
| 8 | Stingray | 2:28 | |
| 9 | Forgive Me | 2:21 | |
| 10 | One More Time | 1:48 | |
| 11 | Space Ship John B | 3:24 | |
| 12 | Song Of Hope | 1:57 | |
| 13 | Trying To Pretend | 2:34 | |
| 14 | Unfortunate Fellow | 3:14 | |
| 15 | She Makes Me | 1:39 | |
| 16 | Flight Of The Emu | 1:46 | |
| 17 | Riot At The Rock & Bowl | 2:29 | |
| 18 | Superlube | 2:57 |
Compilation on the Insolito record label out of Germany with thrash, noise, grindcore, hardcore and experimental music.
| The Good | |||
| A1 | La Gritona– | Vitamin | 1:01 |
| A2 | Fork (3)– | Dung | 2:02 |
| A3 | Craw– | Hayfield Tim's Texas Trip | 3:45 |
| B1 | Slughog– | A Man Called Ass | 2:47 |
| B2 | La Gritona– | 2 Charisma | 3:21 |
| The Bad | |||
| C1 | Cavity (3)– | Gone About | 1:18 |
| C2 | Floor (2)– | Dead Wrong | 2:07 |
| C3 | 16– | Ride The Snake | 2:15 |
| D1 | Toadliquor– | Praise God For Blood | 3:17 |
| D2 | Thug (2)– | Cancer Causes Rats | 2:58 |
| The Ugly | |||
| E1 | Ice Nine (2)– | Steel Mesh World | 2:56 |
| E2 | Discordance Axis– | Ashtray Ballpoint | 0:57 |
| E3 | Apartment 213– | Endless Killing | 2:35 |
| F1 | Devoid Of Faith– | Cold Sore | |
| 1:25 | |||
| F2 | Spazz– | 7 Deadly Finns | 0:31 |
| F3 | Damad– | Waste | 4:02 |
| F4 | Enemy Soil– | Content Slavery | 0:36 |
| F5 | Suppression– | Ebola | 0:20 |
Compilation released by NME New Musical Express magazine
| 1 | Garbage– | Dumb | |
| 2 | Feeder– | Suffocate | |
| 3 | Grandaddy– | A.M. 180 | 3:23 |
| 4 | Nick Cave & The Bad Seeds– | Red Right Hand | |
| 5 | Naomi*– | The Dancer | 4:51 |
| 6 | Snapper– | Buddy | |
| 7 | Mercury Rev– | Tonite It Shows | 3:41 |
| 8 | The Paradise Motel– | Derwent River Star | |
| 9 | Babybird– | Take Me Back | 6:07 |
| 10 | Cable (2)– | Hexagon Eye | 3:54 |
| 11 | Rialto– | The Underdogs | 3:52 |
| 12 | The Wiseguys– | Search's End | |
| 13 | Sound 5– | Heavy Transit | 3:20 |
| 14 | The Jon Spencer Blues Explosion– | Attack | |
| 15 | The Strike Boys– | The Rhyme | |
| 16 | The Egg– | Number Cruncher (The Porridge Gun Mix) | |
| 17 | Space (4)– | Disco Dolly |
American indie rock band founded in 1993 in Issaquah, Washington.
Cassette only release.
| A1 | An Apology From Dog To Cat Concerning A Comment Made Earlier 'Bout Cats Breath | |
| A2 | Tossing Your Weight | |
| A3 | Measure My Sleep | |
| A4 | Bliss Phones Explanation | |
| A5 | Custard Toothed Alpha Bet | |
| A6 | Race Car Grin | |
| A7 | The Gravity Involved In Climbing | |
| A8 | Leaflets Gabe | |
| A9 | Super Saver Day | |
| A10 | Thinking Lead To Suspision | |
| A11 | Piggy Tails Buries Carborador In The Desert | |
| A12 | Go On Out, Come On, Carry Off (On) | |
| A13 | Less Thought Than Sleep | |
| B1 | Livin Your Life In Two | |
| B2 | The Naive Choking On A Shallow Line | |
| B3 | Unvited | |
| B4 | Slave Trade Defenition Transfer | |
| B5 | Immigration Office Spelling Bee | |
| B6 | Ignoring Each Other, Togeather, For It | |
| B7 | My Name On A Letter In The Mailbox | |
| B8 | Bulldozers On High | |
| B9 | Crow Bar | |
| B10 | Novicain | |
| B11 | Peppermint Soda | |
| B12 | Candy Blue | |
| B13 | Favorite Horse At The Tracks |
Capable of punkish rawness, simmering atmosphere, and light-hearted pop, Modest Mouse shaped the sound of late-'90s indie rock and enjoyed mainstream success in the years that followed. On their early singles and albums like 1997's The Lonesome Crowded West, they proved there was more to the Pacific Northwest underground than grunge. Coupled with Isaac Brock's wild-eyed yelp and sketches of small-town life, their mix of emo, folk, post-rock and prog, won critical acclaim. Their major-label debut, 2000's moody, sprawling The Moon and Antarctica, showed just how grandly ambitious their music could be, while 2005's platinum-selling, Grammy-nominated commercial breakthrough, Good News for People Who Love Bad News, and its smash hit "Float On" revealed their flair for anthemic pop singles. On later albums like 2007's chart-topping We Were Dead Before the Ship Even Sank (which featured legendary guitarist Johnny Marr) and 2021's The Golden Casket, Modest Mouse gave their music arena-sized proportions without sacrificing their idiosyncratic outlook.
| A | Other People's Lives |
| 7:42 | ||
| B | Grey Ice Water |
An under-recognized pioneer of the lo-fi revolution, Smog was essentially the alias of one Bill Callahan, an enigmatic singer/songwriter whose odd, fractured music neatly epitomized the tenets and excesses of the home-recording boom. Melancholy, poignant, and self-obsessed, Callahan's four-track output offered a peepshow view into an insular world of alienation and inner turmoil, his painfully intimate songs ping-ponging wildly through a scrapbook of childhood recollections, failed relationships, bizarre fetishes, and dashed hopes.
Smog debuted in 1988 with the spare, primitive Macrame Gunplay, a cassette-only release issued on Callahan's own Disaster label. Cow followed in 1989, while three more tapes -- A Table Setting, Tired Tape Machine, and Sewn to the Sky -- were issued a year later. With 1991's Floating EP, Smog signed to the Chicago-based indie label Drag City, and with the move began an advancement toward more traditional songcraft. The subsequent full-length, Forgotten Foundation, was his most well-rounded effort yet, employing a stronger sense of melody while remaining true to the trademark bare-bones atmosphere.
Released in 1993, the superb Julius Caesar raised the stakes considerably. Recorded with collaborators Cynthia Dall and Jim O'Rourke, the album expanded the Smog palette to include touches of cello, violin, and even banjo. At the same time, Callahan's songs were his best yet; highlighted by the touching "Chosen One" and the menacing "Your Wedding," Julius Caesar also featured "I Am Star Wars!," a hilarious rant built around a tape loop of the intro to the Stones' "Honky Tonk Women." The six-track Burning Kingdom EP appeared the following year.
Issued in 1995, Wild Love continued Smog's approach toward relative sonic grandeur. Led off by the remarkable "Bathysphere" (its title a fitting metaphor for Callahan's self-absorption) and climaxed by the epic "Prince Alone in the Studio" (a virtual theme song for a solitary creative existence), the LP reflected his bitter obsessions with stunning clarity, emerging as a triumph of abject failure. After 1996's Kicking a Couple Around EP, Smog resurfaced later in the year with The Doctor Came at Dawn; Red Apple Falls followed in 1997.
The peripatetic Callahan relocated to Chicago prior to the release of 1999's Knock Knock, resurfacing in the spring of 2000 with Dongs of Sevotion and the Strayed EP. 'Neath the Puke Tree followed that fall, an EP that reinvented several tracks and included a few new ones. By the next year, Callahan changed his project's name to the more intimate (Smog), drawing attention away from the "idea" of Smog and putting more emphasis on the music. The next album, Rain on Lens, followed on this path by unveiling several more reflective and sensitive tracks. A year later, the Accumulation: None singles collection arrived with five new songs and the continued use of parentheses. Classically voluble, Callahan returned with Supper in 2003. The literary, laid-back A River Ain't Too Much to Love -- which reflected Callahan's move to Austin, Texas and featured performances by Drag City labelmate Joanna Newsom -- arrived in 2005.
| 1 | Souped Up II | 1:23 | |
| 2 | Kings Tongue | 3:01 | |
| 3 | Garb | 1:46 | |
| 4 | Hollow Out Cakes | 2:14 | |
| 5 | Confederate Bills And Pinball Slugs | 1:39 | |
| 6 | Coconut Cataract | 1:14 | |
| 7 | Fruit Bats | 1:14 | |
| 8 | Peach Pit | 1:23 | |
| 9 | Disgust | 0:49 | |
| 10 | Russian Winter | 3:17 | |
| 11 | Polio Shimmy | 1:55 | |
| 12 | Smog | 1:34 | |
| 13 | Lost My Key | 4:00 | |
| 14 | Fried Piper | 1:05 | |
| 15 | Fables | 1:38 | |
| 16 | Puritan Work Ethic | 2:21 | |
| 17 | A Jar Of Sand | 2:37 | |
| 18 | I Want To Tell You About A Man | 1:01 | |
| 19 | Olive Drab Spectre | 1:36 | |
| 20 | The Weightlifter | 1:59 |
